СюжетЗемлетрясение на Камчатке
Константин Лысяков (Редактор отдела «Россия»)，更多细节参见新收录的资料
Pokopia trades the traditional Pokémon formula of gyms, battles, and elite trainers for something far slower and softer. Set in a tiny town where Pokémon live together in a close-knit community, the game puts players in the role of a shapeshifting, human-like Ditto. Instead of traveling the world to catch them all, your job is much simpler: help neighbors around town, complete small tasks, and slowly build relationships with the Pokémon who live there. You can even ask the Pokémon to live with you, which is how you end up with this roommate situation:。关于这个话题，新收录的资料提供了深入分析
If this strikes you as a fairly mystifying exchange—well, this is the literary mode of Harold Bloom. As originally laid out in his 1973 book, The Anxiety of Influence: A Theory of Poetry, “influence” for Bloom is the water in which all great writers—but especially poets—are forever swimming. To become a serious author of any real enduring merit, one must necessarily take on certain literary precursors, writers who have spurred one to write for oneself. But for Bloom this is no simple craft tradition, passed down benevolently from generation to generation. For Bloom, what begins as literary inspiration ends up as sublimated agon, as endless conflict, manifesting in the work as the buried tensions of an intergenerational competition for literary immortality.，这一点在新收录的资料中也有详细论述
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