The book was designed by Hitoshi Suzuki (鈴木一誌), one of Japan’s most influential book designers—a protégé of Kohei Sugiura (杉浦 康平) known for radical editorial layouts. Phototypesetting was by Masaaki Inoue (井上聖昭), with design assistance from Takao Kabaya (蒲谷孝夫).
當《時代》雜誌外部版於一月刊載的訪談中詢問中國人權紀錄時，她回應：「我並非此領域專家。」
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